SONYA
Get on the Mailing List ›
Facebook
Twitter
  • About Us |
  • Artist Registry |
  • Get Involved |
  • News |
  • Donate

Artist Registry

All Artists

  • Art Educators
  • Artisans
  • Groups & Galleries
  • Installation Artists
  • Multi-Media Artists
  • Painters
  • Photographers
  • Printmakers
  • Sculptors

Painters

  • Jo-Ann Acey
  • Doba Afolabi
  • Nina Allen
  • Artists of 35 Claver Place
  • Jose-Aurelio Baez
  • Ellie Balk
  • C Bangs
  • Kennis Baptiste
  • Markus Bradley
  • Ramona Candy
  • Mary Chang
  • Sunok Chun
  • Elisabeth Condon
  • Chris Davis
  • Francks F. Décéus
  • Anthony DiMaggio
  • Frances Fawundu
  • Kerri Ferrara
  • Monique Ford
  • Carol Foy
  • David Gitt (Publicdraw)
  • Sophia Glass
  • Tami Gold
  • I. Leon Golomb
  • Jane Greengold
  • Natasha Harsh
  • Eve Havlicek
  • Kathleen Hayek
  • Elazar Hoch
  • Jamal Ince
  • Jamillah Jennings
  • Ryan Ketchum
  • Peter Kluge
  • Melanie Kozol
  • Tommy Kwak
  • D. Lammie-Hanson
  • Leela Le Noury
  • Richard Lebenson
  • Sascha Mallon
  • Michela Martello
  • Kathleen Migliore-Newton
  • Michael Miller
  • Louis Mims
  • MoCADA
  • Carol Morrison
  • Steven Mosley
  • Helene Mukhtar
  • Douglas Newton
  • Laura Pawson
  • Edie Pijpers
  • Jim Porter
  • Joan Reutershan
  • John Ros
  • John Scheffler
  • Naz Shahrokh
  • Aditya Shringarpure
  • George Spencer
  • GG Stankiewicz
  • Misha Tyutyunik
  • Jorge Valdes
  • Dylan Vandenhoeck
  • Larry Weekes
  • Harvey Wilson
  • Iram Yeates

Louis Mims

Blackboard series no.17a
16"x 20"
Acrylics on Blackboard
2010
Summer of Healing
44"x 23"x 3"
Acrylics paint, glazed ceramics, twine, brass brads on wood
2010
My art allows me a freedom to understand and explore my environment aesthetically. Perception becomes a theme in statement. Technique is a means of articulation. Thru the combining of different materials I have a sense of balance in the visual dialogue. There are times when I will seek process over statement realizing that process often times is a statement in itself, to be able to sacrifice existing norms for the sake of allowing the work to move in a new/different direction. Experimentation becomes the fun in creativity. Found objects, odd angles, multi layered forms, colored textures, all combine for uncontrolled balanced in the work.
I am influenced by abstraction found in both African and European aesthetic traditions. This becomes the basis of all visual interaction. I see objects as graphic energy intersecting three dimensionally. I remain interested in the energy produced by multi-cultural stresses that occurs when iconography is place out of contents in media. As I become aware of my own mortality, art becomes more than environment, relationship, process or social necessity, but will.
Email:
louis.e.mims@gmail.com
This organization has received funding from the 2010 JPMorgan Chase Regrant Program, administered by the Brooklyn Arts Council.