Artist Registry
Multi-Media Artists
- Betsy Ely
- Jo-Ann Acey
- Artists of 35 Claver Place
- C Bangs
- Doug Beube
- Mark Lee Blackshear
- Ramona Candy
- Mary Chang
- Sadikisha Saundra Collier
- Chris Davis
- Francks F. Décéus
- Rosalind Depas
- Anthony DiMaggio
- Richard "Deek" Eisenhart
- Frances Fawundu
- Kerri Ferrara
- Tami Gold
- Jane Greengold
- Melita Greenleaf
- Eve Havlicek
- Kathleen Hayek
- Elazar Hoch
- Jamal Ince
- Ryan Ketchum
- Leela Le Noury
- Michela Martello
- Diana McClure
- Louis Mims
- MoCADA
- Carol Morrison
- Helene Mukhtar
- Laura Pawson
- Jim Porter
- John Ros
- John Scheffler
- Naz Shahrokh
- Aditya Shringarpure
- Peter Angelo Simon
- GG Stankiewicz
- Kathy Urbina
- Jorge Valdes
- Larry Weekes
Louis Mims
Blackboard series no.17a
16"x 20"
Acrylics on Blackboard
2010
Acrylics on Blackboard
2010
Summer of Healing
44"x 23"x 3"
Acrylics paint, glazed ceramics, twine, brass brads on wood
2010
Acrylics paint, glazed ceramics, twine, brass brads on wood
2010
My art allows me a freedom to understand and explore my environment aesthetically. Perception becomes a theme in statement. Technique is a means of articulation. Thru the combining of different materials I have a sense of balance in the visual dialogue. There are times when I will seek process over statement realizing that process often times is a statement in itself, to be able to sacrifice existing norms for the sake of allowing the work to move in a new/different direction. Experimentation becomes the fun in creativity. Found objects, odd angles, multi layered forms, colored textures, all combine for uncontrolled balanced in the work.
I am influenced by abstraction found in both African and European aesthetic traditions. This becomes the basis of all visual interaction. I see objects as graphic energy intersecting three dimensionally. I remain interested in the energy produced by multi-cultural stresses that occurs when iconography is place out of contents in media. As I become aware of my own mortality, art becomes more than environment, relationship, process or social necessity, but will.
I am influenced by abstraction found in both African and European aesthetic traditions. This becomes the basis of all visual interaction. I see objects as graphic energy intersecting three dimensionally. I remain interested in the energy produced by multi-cultural stresses that occurs when iconography is place out of contents in media. As I become aware of my own mortality, art becomes more than environment, relationship, process or social necessity, but will.
Email:
| louis.e.mims@gmail.com |


